Tonight, I went to Clint Eastwood's movie "Gran Torino", about an aged Korea veteran (Eastwood) who is living in the same neighbourhood as always, who has just lost his wife, who is semi-estranged from his modern and self-absorbed family, and whose neighborhood is being overrun by minorities and particularly by the Hmong people.
Some descriptions by critics said he builds a tough guy image and deconstructs it. I'm not sure that's how I'd have called it. He starts out fairly crusty and sort of warms to the locals due to circumstances in the film. We gradually get to see a bit more fo what goes on inside the character (at no point do we see all of the inside, which is actually a very s shrewd, mature choice).
We find out a bit about the Hmong, about the issues of opportunities and role models in minority groups (or lack thereof), about crusty old men, and about how the memory of the horrors of war can stick with you for a lifetime. We also see that even an old dog can learn a new trick (at least a bit of one). And we see the immigrant population depicted neither as stupid, particularly lazy, nor inclined to crime - though there are examples of those sorts within the community, but most are not and don't condone them.
The movie has a few bits of violence and a lot of language. I'd guess it is a good film for adults. The subject matter is taken seriously and Eastwood handles the character with subtlety at times, with tremendous power at others. Eastwood has marked himself, over the last two decades, as not only a truly formidable actor, but a talented director and producer with a good eye for engaging stories and characters with substance. Nowhere is his craft more aparent than in Gran Torino.
To me, this movie is about 'the other' and discovering a bit about that other. Finding out that the other is often just the same as you are in many regards and noting the key differences. And finding out that sometimes the other can be closer to your values than some from your own group.
The movie doesn't hit you over the head with unbelievable repentance or great gushing attempts to make up for everything that went before. That's part of its intelligence. It just tells a story of a man whose world has changed around him and who can find some of the things he thinks important in unforseen places if he'll just look.
This movie is less disturbing than No Country For Old Men by a long piece, but will go down in American Cinema as a true classic. If the Academy paid it no heed, they're a bunch of navel gazers. This is a movie about the realties of multicultural societies, getting old, and changes that inevitably occur. And it is excellent.
I think this is the best movie I've seen this year. See it.