Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

22 April 2011

Combat Mission, Episode 8: Hue City on Netflix

 
I ran across an interesting 13 part TV series called Combat Misison that claimed to tell the story of a handful of famous battles of the last half century or so in the words of the participants. It also claimed to talk about little known conflicts.

I was hoping at the time that this might mean something like coverage of the brushfire wars in Africa in the late 20th century, coverage of conflicts in SE Asia, or the ME. I was thinking perhaps that this might include stories of British, French, American, Canadian, South African, and other forces engaged in some of these small wars.

Ah well, that theory didn't work out so well. The battles were all American. Many of them were from the recent engagements in the Persian Gulf, Iraq, and Vietnam. That's not bad, it's just been done before to my mind. Still, Hollywood produces most of these things, so I suppose an American-centric perspective is inevitable.

I selected the SLA Gunfight in LA as my choice, but apparently my mouse-fu was weak as the Battle for Hue came up. I knew a bit about the battle for Hue from watching other documentaries on it, but I decided to watch anyway.

In the spirit of honest review, I have to say this production had both pros and cons. On the plus side, it did give you a good feeling for the fight for the South side of Hue city and the situation the various Marine units faced as they arrived at Hue, generally unprepared.

The visuals and the first hand accounts of participants (mostly Marines) does give a perspective on the experience that is a little less academic than most documentaries. This brings a certain first-person perspective that has value in understanding how the experience was for its participants.

Also on the plus side, there was a lot of footage and the recreations were not bad either. Unlike the unreality of most Hollywood battle scenarios, where participants are artificially close for cinematic reasons, the sort of urban fighting encountered in Hue did produce exactly this sort of tete-a-tete situation.

One did develop an appreciation for what a role heavy weapons play in urban fighting and the ability to deploy them. One also developed an appreciation for chemical warfare in the form of tear gas as it was employed successfully in urban warfare in this battle. I hadn't realized from prior documentaries there was a chem-war aspect to Hue.

The show did also give one a good feeling for the costs of urban fighting - half the Marines who went into Hue were injured or killed (221 were slain). That gave a clear accounting of the meat-grinder accounting of urban warfare (whether we call it city fighting, MOUT, FIBUA, or whatever term you wish to hang on it).

On the minus side, this documentary was, like many Hollywood products, entirely one sided. There was respect for the toughness of the NVA and their tactical acumen, but there was no first-hand representation of the North Vietnamese side.

I think this is a great failing of many US documentaries; They only present historical events from the American viewpoint. I think this trend helps to foster the idea the other side's perspective is irrelevant which is a bit short-sighted and myopic. They certainly could have used some input from some of the participants on the other side to truly understand this battle.

The episode didn't dwell on the arrival of the Marines in an unprepared state as an intelligence or tactical failure, although it seems like perhaps they should have. If you are brought in as reinforcements to a fight, you should have a better logistical preparation and intelligence appreciation than what those Marines had. That probably could have helped ameliorate the eventually casualty count somewhat.

The episode pay much attention to the ingenuity of coping with the small alleys and courtyards in Hue as much as other documentaries I've seen on the subject did; In those other documentaries, you saw them using these small electric movers (of the sort you might see in airports) and some similar small gas powered vehicle such as jeeps and such to improvise ways to move 106mm Recoiless Rifles to where they were needed on the battlefield.

The episode paid a lot of its attention to the battle for South Hue and then summed up rather quickly in moments by saying the battle went on and the Marines took North Hue and the (presumably) the bridge over the river, but without describing any of that. I think this is a lacking and probably means the episode's name should have been South Hue City as that was really all that was covered in detail. I still don't know what happened to the RVN troops that were cutoff in the compound in North Hue after watching the full episode.

From a technical perspective, some of the show was fairly grainy. I notice that digital streaming (be it Netflix of Satellite) seems to struggle at times with conventional TV (standard def) presented on higher definition hardware.

Whatever technique they have for digitizing seems to not do low or variable light conditions (shadowed faces, lit by reflections, night situations) very well.

I don't know how much of the not-so-laudible visual quality is the digitization, how much is the lighting, how much might be the original copy they have to work from, or how much is Netflix tuning the streaming resolution to manage bandwidth carefully, but I did find it distracting.

Overall, I'd give this a 3.3 out of 5. It dis present some good first-hand accounts and a good picture of the fighting in the South part of the city, so that is certainly a justification for watching it. However, one should realize the gloss over some failures, present a US-centric (or US-only) view on the battle, and the focus is almost exclusively on South Hue city. Worth seeing, but watch with the provisos firmly in mind.

 

17 April 2011

Billy Connolly's Journey To The Edge Of The World, Ep 1, on Netflix

Billy Connolly's Journey To The Edge Of The World was my next candidate for consumption. This is a TV special similar to Billy's travels around Scotland, but this time he's visiting the Canadian maritimes, far North, and a bit of the West coast as he takes the Northwest Passage, walking (sailing) in the steps (in the wake) of Franklin and so many others.

The first episode covers Nova Scotia, New Brunswick, and Newfoundland. Some highlights include Halifax, Lunenberg, St. John's, the Cabot Trail, Cheticamp Pleasant Bay, Cape Spear, the viking settlement, and the farthest North lighthouse. There are visits to the highland games (Billy's reactions are pretty hilarious... I think real Scots find most of us ex-pats to be a bit of a bunch of posers, if in a good natured way), to Halifax Pier 21, and to some interesting scarecrow collection held by an Acadian.

Along the way, Billy gets Screeched in, sees moose, sees a whale, goes fishing for Cod in the ocean, goes fishing for Salmon in the Gander river, and gets to hear some pipes, drums, and some Acadian fiddle music. He also visits Gander airport and celebrates the town's birthday with the folk of Gander.

Unlike his tour around Scotland, we don't see stand up segments to go with it; I don't know if Billy wasn't doing a tour at the same time or if they just elected not to mix it with the travelogue.

Billy has a good sense of humour, loves music and dance, and has a deep appreciation for the beauty of the natural world - all of which fit in well in the Maritimes. 

The next episode is to take him off to Baffin Island. We'll see how he fairs in the North.

I enjoyed this first episode immensely. It had a good balance of fact, image, music, and sweeping panoramas of the geography. It also gave you a very short snapshot of some of the colour that makes the people down East the distinct bunch they are. For a 45 minute episode, you can't really ask for a lot more.

I'm giving this one a 4.7 out of 5. I'm penalizing Billy for making disparaging remarks about people wearing kilts. I mean, I've seen him perform in some sort of mumu or frock and stockings and he wears Tartan trews... it takes a fair bit of cheek to poke fun at kilt wearers. Sort of pointing out the grain of dust in another's eye while ignoring the boulder in your own. Or something like that... :)

Outlaw on Netflix

Tonight, I watched the British film Outlaw. It was a vigilante film done British style, with loads of troubled personalities forming together into a vigilante group, at times goading each other on and at times holding each other back. Factious, disturbed, indecisive, and angry, the vigilantes worked on the people who had been most directly responsible for the troubles of each member of the team.

The film features a troubled (as if he plays any other sort) Para played by Sean Bean, an interesting police detective relegated to VIP protection played by Bob Hoskins, and a number of other fairly interesting British actors I don't really recall ever having seen before, although I suspect they may be known names across the big pond.

The film examined the sorts of issue vigilante films often do. It explored the question of what circumstances might justify the vigilante, what failures and corruptions of the system justify going beyond the law, whether normal men can become vigilantes without becoming something over the line and monstrous, and what is it like to live in a prevasive surveillance society where key members of the police are bought off by the bad guys and where right doesn't always even get a fair airing, let alone a win.

It was an okay film. I would probably give it about a 3.7 or 3.8 out of 5. I enjoy watching Sean Bean work and the characters were interesting. The ending was both uplifting and tragic in roughly equal measure. But the road to getting there was a fun ride.

Aside:

I wish I could queue or bookmark things on Canadian Netflix. I've had to do this manually with Ye Olde Text File. My list is now about 30 movies and 4 or 5 multi-season TV series long. A lot of stuff I'd never see on TV - docs, foreign films, oddball low budget stuff, Japanese anime I won't buy without having a good idea if I'll enjoy it, and a variety of old classics that I have (and have not) seen.

I can already see keeping my subscription going beyond my free month. They've already sold me on their value proposition.

29 November 2010

Great Big Sea in Kingston: Nov 27th, 2010

Great Big Sea's Safe Upon The Shore Tour hit Kingston last Saturday night.

I had the good fortune to have a ticket provided by my dear friends Kevin and Myriam (thank you one further time!) to some seats 5 rows back on the floor in front of the stage.

Murray, Alan, Sean, Bob and in the back on the drums, Kris.
  The K-Rock Center seating was tight for anyone who wasn't a Twilight escapee or an anorexic, so most of us immediately gravitated to our feet and stayed there for three hours.

The concert was a mix of the old and the new, starting off with several lively old favourites and rolling into the newer material, including some powerful sea shantys. Powerful stuff and dark in quite a few places - there were jokes made on stage about having 3 songs in the set with hanging involved and another about chemical workers. Sean pointed out it was worse because his toddler was singing 'Old Black Rum'!





Sean plays the balron.


The band did two long sets, running overlength in both sets (they were on stage 45 minutes longer than the people running the K-Rock Center expected). They indicated they had no professional obligations the following day (the rest of their tour schedule is hairy) and were in no hurry. They were conversational and showed good humour and an appreciation for their own success.

They spoke of their US touring, of their generous Canadian nature in congratulating the Americans on their splendid Silver medal finish in Men's and Women's Olympic Hockey, and of how greatful they were to their fans for their success. It was a near sellout crowd at the K-Rock Center as testament to that success.

Alan sings an encore by himself.
They also proved they could play a ridiculous number of instruments with equal facility - I saw Alan play acoustic guitar, something that looked like a mandolin, a banjo, and an electric guitar (at the least). Sean played harmonica, shakers, guitar, balron and probably other instruments I missed. Kris did drums and accordian plus wielded a mean fiber optic camera. Bob is in a league all his own: Accordions three, fiddle, guitar, shakers, tin whistle, flute, and I'm sure I'm missing several others.




Great Big Sea demonstrated showmanship; They made the human connection with the people of Kingston by sharing a shared love of hockey, of music, and of good fun (and apple juice *wink*). They shared an their humour, their love of the maritimes and the music of the east coast and their love of Canada first and foremost.

The boys backup Sean on the chorus.

They also made tangible the connection to their past by speaking of playing at Queens University, at A.J. Hangar, and at the Grand Theater, and partying on Princess Street. Tir Nan Og was also mentioned. These are some of the landmarks of the town and they've been in and out of their since  the mid 1990s, claiming they've "never had a bad night in Kingston".

If you like maritime music, if you like folk music, if you like dark tales about the sea or about life on the east coast, or if you like jumping and stomping kitchen party music, Great Big Sea has it all. Vocals, instruments, and powerful or funny lyrics - they are the musical triple threat, to be sure.



Well worth the money. I'm considering raiding a piggy bank to see them again in Ottawa.

Check out their albums. They're worth it. My favourite tunes are "Recruiting Sergeant" and "General Taylor", but some of the songs Sean sang lately, presumably from Safe Upon The Shore, make we want to grab that Album too. I'll bet Steve Jobs is waiting to sell them to me via the iSuckTheMoneyOutOfYourWallet interface.

Alan, Kris, Bob, Sean and Murray: Good show, Lads!